Elisabeth Kley, co-published by CANADA and Pre–Echo, 2019.

 
 
 

AURAS, Slate + Ash, 2018. Image by Tjitske Oosterholt.

 
 
 
 
 
 

Matt Price, ‘The Anomie Review of Contemporary British Painting’, Anomie, 2018.

 
 
 

Fold-out exhibition guide for Cathy Wilkes’ exhibition at FIAC, Paris in October, 2016. Commissioned by The Modern Institute, Glasgow.

 
 
 
 

Rhiannon Silver and Joe Mawson, ‘Hell Yes’, Project Space Leeds.

 
 
 

Koen Holtkamp, ‘Beast Volume One’ and ‘Beast Volume Two’, record sleeves, Pre-Echo, 2017.

 
 
 

Giulio Aldinucci, ‘Borders and Ruins’, record sleeve, Karl Records, Berlin. Design and photography, Joe Gilmore.

 

Lee Fraser, ‘Cor Unvers’, CD sleeve, Ge-stell, 2018.

 
 
 
 
 
 
 

Hayley Tompkins, ‘Stick Crystals to Paintings’, Bonner Kunstverein and The Modern Institute, 2018.

 
 

Richard Wright, Aird’s Lane (25.06 – 06.09.2014) and Aird’s Lane Bricks Space (26.05 – 09.09.2017), The Modern Institute, 2017.

 
 
 

Mark Fell, ‘Intra’, record sleeve, Boomkat Editions, 2018.

 
 
 
 
 
 
 
 
 
 

Qu Junktions website, www.qujunktions.com

 
 
 
 
 
 
 
 
 
 

Abel Sloane and Ruby Woodhouse, ‘The Simple Heart of Plywood, An Introduction to Gerald Summers and Makers of Simple Furniture’, 1934, 2018.

 
 

A L’ARME!, festival identity, Berlin, 2018. Artwork by Rian Treanor.

 
 

Alex Katz, ‘Subway Drawings’, Timothy Taylor, New York, 2016.

 
 
 
 
 
 
 

Haroon Mirza, ‘/|/|/|/|/|/|/|/|/|/|/|/|/|/|/|/| A User’s Manual’, Spike Island, Camden Arts Centre, Kunst Halle Sankt Gallen and Middlesbrough Institute of Modern Art, 2011. Graphic design by Joe Gilmore. Diagrams by Joe Gilmore and Jay Cover.

 
 
 
 
 
 
 
 
 
 

Split 7″ series, Come Play With Me, 2012-ongoing.

 
 
 
 
 
 
 

Joe Gilmore, ‘Void ( )’ #2, Catalogue Library, 2017.

 
 
 
 
 
 
 

Joe Gilmore, ‘Sigla Addendum’, Catalogue Library and Village Books, 2017.

 
 
 
 
 
 
 
 

Geometry of Now, festival identity, V-A-C Foundation, Moscow. http://geometryofnow.v-a-c.ru

 
 

‘Gay Areas Telephone Directory’, slipcase, Pre-Echo, 2017.

 
 
 

Daphne Oram, ‘An Individual Note of Music, Sound and Electronics’, The Daphne Oram Trust and Anomie Academic, 2016.

 
 
 
 
 
 

Eddie Martinez, ‘Sculptures’, Timothy Taylor, London, 2017.

 
 
 
 
 

rkss, ‘Cut Off’, record sleeve, Alien Jams. Front cover image by Max Springer.

 
 
 
 

Patiño / No God Ritual, record sleeve, Hypermedium, 2016. Centre label image by Max Springer.

 
 
 
 
 
 
 
 

Kim Fisher, ‘A Little Bit of But’, LA><ART, Los Angeles, 2017.

 
 
 
 
 
 
 
 
 

Jefre Cantu Ledesma,  ‘Songs of Forgiveness’ and ‘Songs of Remembrance’; Koen Holtkamp, ‘Beast Volume One’ and ‘Beast Volume Two’, Pre-Echo, 2016.

 
 
 
 
 
 
 
 

Hayley Tompkins, ‘Lifelike’, The Modern Institute, 2016.

 
 
 
 
 
 

Gauthier Oushoorn, ‘The Absence of a Permanent I’, Lyre Press, 2016.

 
 
 
 
 
 
 

Mary Manning, ‘Greek Phones’, Peradam Press, 2015.